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Literature: Stitching the Story

This document is a transcript of the text of the display boards of the exhibition held at the Museum of North Craven Life in The Folly during 2005: images are not included although they are listed.

Stitching the Story: the Airton Tapestry

Panel 1: What is tapestry?

The word 'tapestry' has two meanings:

There is a long tradition of recording historical events and stories on woven or embroidered wall hangings. One of the most famous examples is the 11th century Bayeux Tapestry which tells the story, on a strip of linen seventy metres in length, of William the Conqueror's defeat of the English in 1066

The Quaker Tapestry, begun in 1981 and now on permanent display in the Friends Meeting House in Kendal, celebrates three hundred and fifty years of Quaker experience and insights in a series of seventy-seven separate embroidered panels

The Airton Tapestry, completed in 2004, and directly inspired by the Quaker Tapestry, depicts events in Airton's Quaker history , so continuing and reinforcing the long tradition of the creative expression of ideas through stitches


Panel 2 & 3: What does the Airton tapestry depict?

It portrays people and events in Airton associated with Quakerism, together with characteristic scenes in and around the village. See if you can find them on the tapestry itself


Panel 4: Why an Airton tapestry?

The tercentenary of the Airton Friends Meeting House, built by William and Alice Ellis in 1700, was the inspiration for the tapestry exhibited here

The Airton Tapestry follows a tradition that goes back many centuries, of telling a story in embroidery; the Bayeux Tapestry is one of the best known illustrations of this and the Quaker Tapestry is a modern example

The Quaker Tapestry, which can be seen in the Friends Meeting House in Kendal, can best be described as narrative crewel work. It tells the Quaker story in seventy-seven embroidered panels. Similar panels have been worked by Friends in other parts of the country and around the world and the practice of 'weaving a story' in stitches has become a tradition within the Quaker movement itself

Work on the Airton Tapestry has brought together a group of people, Quaker and non-Quaker, with many different skills. The project has taken four years to complete and, in the process, has emphasised the Quaker philosophy of the sharing of ideas and experience, the work itself illustrating their concern for the fabric of society and the natural world


Panel 5: Who are the Quakers?

Quakers, or members of the Society of Friends, do not define their faith, which they see as springing from an inner light through the loving outreach of God

Friends meet in silent worship, without priests, rituals or set creeds. They hold strong principles of social justice and service, affirming the equality of all people before God

A Leicestershire shoemaker, George Fox, came to faith through the influence of many religious thinkers and preached throughout the country, rejecting church-going and proclaiming 'the people as the church of God'. In 1652 he travelled on foot through West Yorkshire and by the early 1660s groups of Friends were known to be meeting together in Malhamdale


Panel 6: First steps

The impetus for creating the Airton tapestry came from an article by Alison Burnley, published in The Friend in January 2000, which encouraged local groups who had not been involved in the original Quaker Tapestry to portray events in the life of their own Meeting

This idea was enthusiastically received by a number of Friends in Settle Monthly Meeting and the Airton Tapestry Group was formed to produce an embroidered panel to commemorate the tercentenary of Airton Meeting House in Malhamdale. Every member contributed a particular skill other than embroidery, such as drawing, lettering, historical research, fundraising or handyman work

Regular meetings were held and the content of the panel agreed. The well-known Malhamdale artist, Katharine Holmes, made the original drawings and painting from which a final design was produced by Richard Shewell. Members of the Group attended embroidery workshops organised by the Quaker Tapestry in Kendal and practised the stitches in samplers

Children from Kirkby Malham Primary School were involved at an early stage and contributed drawings of their impressions of Airton and its surroundings. Several of these were used in the lower border of the tapestry


Panel 7: Design to fabric

Close attention was paid to the scale of the design, the main images being placed diagonally to achieve balance and create a pleasing effect

Appleton's crewel wool was used for the work and although the modern dyes are all synthetic, Katharine Holmes, the artist, chose colours which echoed the softer plant dyes for the older figures, reserving the brighter ones for the modern figures and the children's border

The drawing was traced on to greaseproof paper with a special wax pencil and then ironed on to calico, which was then carefully tacked to the woollen fabric. The joined fabrics were then stretched on a frame


Panel 8: Working the design

There were three layers of embroidery. First of all, the outline of the design was stitched from the back. Great care was needed to thrust the needle at right angles through the fabric. The second layer was then worked from the front, infilling the shapes within the outlines. The third layer added the creative, descriptive embroidery, giving the finished work a three-dimensional effect

The panel was passed round the group and each member worked a particular image

Six stitches were used to work the design: stem stitch, split stitch, Peking knot, Bayeux point, chain stitch and Quaker stitch for the lettering

Upper-case lettering was transposed on to the wool fabric through the calico backing. Lower-case letters were worked directly on to the front


Panel 9: Completion and celebration

After four years of work, the Airton Tapestry panel was completed and mounted in a handsome, purpose-designed oak frame suitable for hanging

Members of the Airton Tapestry Group met in February 2004 to celebrate and discuss ideas for the future display of the panel in a number of public places where both Friends and members of the local community might enjoy it

The Group felt that the shared activity of producing the tapestry had been truly a means of outreach, not only for the Society of Friends but also for the tiny, historically-significant Meeting House in Airton, now only used for occasional worship

Images Check these!

Panel 10: Who were William and Alice Ellis?

William Ellis (1658-1709) was born in Calton across the river from Airton. When he was sixteen he was apprenticed to John Stott, a linen-weaver in Bradley, near Skipton. The Stott family were Quakers and William himself became a Quaker, attending Friends' meetings and 'becoming convinced in the faith'

When he was twenty-one he moved to Airton, which remained his home for the rest of his life. He gradually established his ministry in the valley, subsequently travelling throughout Britain and also in America to preach the message of Quakerism.

In 1688 William married Alice Davie who shared his beliefs and worked with him to spread the faith. In 1697 they acquired the land on which to build a Meeting House, which was completed in 1700. Nearby, they built a home for themselves and a linen-weaving workshop

Through hard work and good management William established a successful business. He is remembered as a caring man, good to his employees, living truly in the faith - the father of the Quaker movement in Malhamdale.



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